More Classics: Romantics, Moderns
Expected to ship in 1-2 weeks.
- Composers: George Frideric Handel (1685-1759), Wolfgang Amadeus Mozart (1756-1791), Aaron Copland (1900-1990), Domenico Scarlatti (1685-1757), Johann Sebastian Bach (1685-1750), Scott Joplin (1868-1917), Edward MacDowell (1860-1908), Franz Liszt (1811-1886), Claude Debussy (1862-1918), Ludwig van Beethoven (1770-1827), Frédéric Chopin (1810-1849), Edvard Grieg (1843-1907), Erik Satie (1866-1925), Muzio Clementi (1752-1832), Enrique Granados (1867-1916), Béla Bartók (1881-1945), Robert Schumann (1810-1856), Jean-Philippe Rameau (1683-1764), Pyotr Ilyich Tchaikovsky (1840-1893), Franz Schubert (1797-1828), Anton Webern (1883-1945), Randall Thompson (1899-1984), Johannes Brahms (1833-1897), Felix Mendelssohn (1809-1847)
- Editor: Paul Sheftel
- Instrumentation: Piano
- ISBN:
- Size: 9.1 x 12.0 inches
Description
Continuing from his previous release, Classics, Romantics, Moderns, Paul Sheftel has compiled the most important short pieces in piano literature for the advancing pianist into one collection. The book contains great pieces for recitals and study for the serious piano student. This volume features clear engravings, thoughtful editorial notes and limited fingering suggestions that allow the student and teacher the opportunity to make their own choices. This collection is a valuable asset for those piano students looking for challenging standard repertoire.
- Rameau : Tambourine
- Handel: Passacaglia, from the Seventh Suite in G Minor, 1720 collection
- Bach, J.S.: Gavotte, from French Suite No. 5
- Prelude, No. 1 from Book 1 of The Well-Tempered Clavier
- Minuet, from French Suite No. 3
- Invention No. 8
- Gavotte, from French Suite No. 6
- Scarlatti: Sonata, K.391; L.79
- Sonata, K.431; L.83
- Clementi: Sonatina, Op. 36, No. 3
- Mozart: Minuet, K.355 (576b)
- Sonata, K.545
- Beethoven: Für Elise
- Sonata ("Moonlight," 1st Movement)
- Sonata, Op. 49, No. 2
- Schubert, F. German Dance, Op. 33, No. 1
- German Dance, Op. 33, No. 10
- German Dance, Op. posth. 171, No. 6
- Waltz, Op. 18, No. 1
- Valse Noble, Op. 77, No. 1
- Valse Noble, Op. 77, No. 9
- Valse Sentimentale, Op. 50, No. 13
- Chopin: Prelude, Op. 28, No. 4
- Prelude, Op. 28, No. 6
- Mazurka, Op. 7, No. 2
- Mendelssohn: Venetian Gondola Song (Venezianisches Gondellied), from Songs Without Words, Book I
- Consolation, from Songs Without Words, Book II
- Schumann, R. From Foreign Lands and People (Von fremden Landern and Menschen), from Scenes from Childhood ("Kinderscenen")
- An Important Event (Wichtige Begebenheit), from Scenes from Childhood ("Kinderscenen")
- Traumerei (Dreaming), from Scenes from Childhood ("Kinderscenen")
- Frightening (Furchtenmachen), from Scenes from Childhood ("Kinderscenen")
- Fantasy Dance, "Phantasietanz" from Albumblatter
- Liszt: Consolation
- Brahms: Waltz, Op. 39, No. 3
- Waltz, Op. 39, No. 9
- Tchaikovsky: Reverie, from Album for the Young
- Chanson Triste, Op. 40, No. 2
- Grieg: Little Bird, "Liden fugl" from Lyric Pieces, Book III
- Puck, "Smatrold" from Lyric Pieces, Book X
- MacDowell: To A Wild Rose
- Debussy: Clair de Lune, No. 3 from Suite Bergamasque
- Satie: Gnossienne, No. 1 from Trois Gnossiennes
- Gymnopedie, No. 1 from Trois Gymnopedies
- Granados: Spanish Dance, Op. 5, No. 5
- Joplin: The Entertainer, A Ragtime Two-Step
- Bartók: Bear Dance, No. 10 from Ten Easy Pieces
- Sonatina
- Webern: Kinderstuck (Child's Piece)
- Thompson: Song After Sundown
- Little Prelude
- Copland: The Young Pioneers
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
More Classics: Romantics, Moderns
